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Henri Alekan : ウィキペディア英語版 | Henri Alekan
Henri Alekan (10 February 1909, Paris – 15 June 2001, Auxerre, Bourgogne) was a French cinematographer. ==Life== Alekan was born in Montmartre in 1909. At the age of sixteen he and his brother became travelling puppeteers. A little later he started work as third assistant cameraman at the Billancourt studios. He then spent a short time in the army, returning to Billancourt in 1931. In the late 1930s he was the camera operator to Eugene Shufftan on Marcel Carné's ''Quai des Brumes'' and ''Drôle de drame ''. He was greatly influenced by Schufftan's non-naturalistic style. His first success as a director of photography was René Clément's realistic war drama ''La Bataille du Rail'' of 1946. In the same year he worked on Jean Cocteau's fable ''La Belle et la Bête''. He found himself out of sympathy with the French New Wave cinema which emerged in the late 1950s and Alekan shot some rather conventional films in Hollywood. A new generation of directors appreciated his visionary style, and he worked with Wim Wenders on ''The State Of Things'' and ''Wings of Desire'' and Raúl Ruiz on ''The Territory'' and ''On Top of the Whale''. His last films were made with the Israeli director Amos Gitai.
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